(Please don’t) Take me down to the paradise city

As much as we like Guns ‘n’ Roses here at Critical Gamer (you know, when Slash was doing his bits) we have to disagree with their view on the city when it comes to games. If games are anything to go by, the grass isn’t that green, if you can even find some, and whilst a few of the girls may be pretty, they seem to be lost in a sea of plain Janes and prostitutes.

Open world sandbox games seem to be coming in thick and fast since Grand Theft Auto highlighted the trend, more and more of the things seem to be set in cities filled of violence. Huge towering skyscrapers, packed roads full of taxis and every colour in the grey rainbow that you can imagine. Isn’t it all starting to get a bit dull?

Off the top of our massive collective head, we can think of at least eight million (citation needed) high profile games that have been set in some of the most bland concrete jungles set in fact and fiction. Three that were released recently(ish), Spiderman: Web of Shadows, Prototype and Grand Theft Auto IV are all guilty of being based in what seems to be a largely copied and pasted mass of tall buildings reaching skyward. Is it really necessary? A bit more variety would have been nice, especially when it comes to navigational landmarks; as maps just aren’t as fun.

Some games we will admit need the sprawling mass of thousand feet tall buildings. Spiderman for example, is not only cemented in New York City through decades of comics, but he needs it, as trying to swing around anywhere else such as London would not have provided him with the high altitude fast transit he is accustomed to. He’d have to take the tube like everyone else. This is excusable because it is made use of. It is actually essential to have tall things for webbing to latch on to. It certainly made it more plausible since the first Spiderman game on the PS2, where web could latch on to the clouds.

Prototype being set on Manhattan Island is again, a bit more understandable. It is Alex Mercer’s playpen allowing him to run up walls, jump over buildings, glide over military bases and smash down to earth with enough force to destroy a tank. It would not have been nearly as successful if it was based in Birmingham, not just because of the relatively low skyline of the city, but can you imagine the sound of 1000 Brummy accents screaming in terror? The thought of it is enough to make your fingernails curl back on themselves.

So far the only passable excuse for basing yourself in a city, is that game characters can use the ridiculous architecture of the monolithic buildings to gain an advantage. Everything can be utilised and (potentially) not an inch is wasted. After all, if you had the power to climb up the side of a building in an instant, using it to get a higher vantage point or lose pursuers is a very good idea. What really tugs on our nads though is when there are massive dull looking buildings placed everywhere that can’t be interacted with at all, where the only point to them is as a decorative barrier for the player.

In our mind, Grand Theft Auto IV had already committed a cardinal sin visiting its parody of New York for the third time and not really adding a great deal. Yes there was a very impressive lick of paint by graphical standards, but a similar look could have been achieved by blowing up a series of cement mixers in a massive car park. Grand Theft Auto III had already done the whole living city thing the justice it deserved, and we do not feel that IV added sufficient to be that revolutionary. Oh yes, there are bin men and TV channels now, but not much that adds to the gameplay.

The one thing that we cannot understand is that how so much of the city setting is wasted due to the limitations of the player. The only way to really interact with the skyline is to take a helicopter and land on a building, and even then there is not a great deal of point to it. Yes it looks impressive, but you can not really justify jumping off from a gameplay perspective. The best use of this so far has been the youtube videos of people base jumping into helicopter blades with hilarious consequences.

It would have been different if you could go inside most of these buildings, or even taken a lift to the top with something to do up there. Instead they just seem to stand there as criminally wasted space in a game with so much potential if only it didn’t take itself so seriously from a gameplay perspective.

Maybe targeting Grand Theft Auto so specifically is a bit harsh, but most games featuring a city with towers trying to pierce the clouds are all as guilty as each other. The setting is just starting to feel a tad overused now, as going by rows and rows of bricked up surfaces separated into uninspired, yet practical blocks of streets is not the best setting for engaging in escapism. It’s a bit like going out to an Indian restaurant and ordering porridge. Yes you’ve gone out for a nice experience, and maybe you really love porridge that much, but at the end of the day, it is still an incredible boring choice in a sea of potential marvel.

Burnout Paradise is a slightly different take on the sandbox city game, but faces similar flaws to GTA, only now you are permanently welded inside a car. The thing we love about the Burnout series is the feeling of set racing tracks within busy cities which created exhilarating thrills in dodging traffic at fast moving intersections and all that slow motion jazz. In all the games prior to Paradise, the roads would be full of cars and each track would take you through nice and unique scenery on a pre-determined path of fun, mayhem and carnage.

Paradise, taking place all in one city, meant that a lot of the time it felt incredibly samey, with all the races taking place within a city that you were free to roam around in and find your own route. This meant that the feeling of being funnelled in to heavy traffic was removed slightly, with more choices to avoid it and the other racers. The fact that you could explore all the ins and outs meant that the races started to feel a bit dull after a while.

The city thing has been done so much now it’s not even funny. GTA, True Crime, Mafia, The Godfather, Saints Row; we’re not saying these are bad games, but all have been set in a bustling city which shows how unoriginal it is to do now. How about just giving the city life a bit of a rest before doing it again? Commuting in real life is ball aching enough, so doing it again in a game, no matter how destructive the end result is, just feels a tad bit uninspired.

It would be nice to see more games get out of the city a bit more. We’re not talking about Grand Theft Auto: Shanty Towns or anything, but a bit more variety than packed city life, just not quite as mind bogglingly dull and open as 70% of San Andreas.

Perhaps the pursuit of realism is to blame for coma inducing, uninspired cityscapes becoming a bit too commonplace. Does this mean that we need some more creative minds in the games industry? Possibly. We just hope that the next GTA will be a bit more revolutionary than pretty graphics and an aiming system that took almost a decade to get right.

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